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Book Title: Black Clock 15|
The author of the book: Steve Erickson
Format files: PDF
The size of the: 19.64 MB
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Reader ratings: 6.3
Edition: Black Clock
Date of issue: March 19th 2012
ISBN 13: 9780983662525
Read full description of the books:
Very cool conceptual magazine--this one includes a re-imagined film history in which Jodorowski's Dune gets made and Joseph McElroy's Lookout Cartridge gets a filmic adaptation (one could only dream), and has alternate history film posters, eg. Kill Bill starring Marilyn Monroe and John Wayne. Danielewski's work shines in the volume, though, with a piece that rewards readings of The Familiar but stands alone beautifully as a piece of film essay/research examining a mysterious short film known solely as "Clip #4" with a really killer twist at the end that has haunting reverberations throughout the whole piece.
RIP Black Clock. Such a cool, high-concept and artfully minded journal of fiction. You will be missed.
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Read information about the authorSteve Erickson is the author of ten novels: Days Between Stations, Rubicon Beach, Tours of the Black Clock, Arc d'X, Amnesiascope, The Sea Came in at Midnight, Our Ecstatic Days, Zeroville, These Dreams of You and Shadowbahn. He also has written two books about American politics and popular culture, Leap Year and American Nomad. Numerous editions have been published in English, Spanish, French, German, Italian, Dutch, Polish, Greek, Russian and Japanese. Over the years he has written for Esquire, Rolling Stone, Smithsonian, Conjunctions, Salon, the L.A. Weekly, the New York Times Magazine and other publications and journals, and his work has been widely anthologized. For twelve years he was editor and co-founder of the national literary journal Black Clock, and currently he is the film/television critic for Los Angeles magazine and teaches writing at the University of California, Riverside. He has received the Lannan Lifetime Achievement Award, the American Academy of Arts and Letters award in literature, a fellowship from the John Simon Guggenheim Foundation, and a grant from the National Endowment for the Arts, and twice has been nominated for the National Magazine Award for criticism and commentary.
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