Read Downriver by Iain Sinclair Free Online
Book Title: Downriver|
The author of the book: Iain Sinclair
Format files: PDF
The size of the: 8.90 MB
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Loaded: 1105 times
Reader ratings: 4.2
Edition: Random House
Date of issue: May 25th 1993
ISBN 13: 9780679420620
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“What does Eliot say? ‘We are born with the dead: See, they return, and bring us with them. The moment of the rose and the moment of the yew tree Are of equal duration.’ Everything we say parrots words that have already been spoken. We speak in quotations.”
Downriver is evenly the book of the dead and the book of the living. It is a surrealistic Gothic tale of the present and the past where sinking of Princess Alice, Jack the Ripper and Rodinsky’s abandoned room are the recurring nightmares.
Life is macabre. Life is dangerous. Life is like a trip down the gloomy tunnel…
“…follow me down that slow incline. The tunnel drips with warnings: Do Not Stop. Seal your windows. Hold your breath. This is not reassuring to the pedestrian, who wobbles along a thin strip of paving, fearing to let go of the tiled wall: working the grime into his icy hand. Your heart fills your mouth, like a shelled and pulsing crab. Why are there no other walkers? Traffic scrapes so narrowly past: the drivers are mean-faced and locked into sadistic fantasies. White abattoir walls solicit vivid splashes of blood. You feel the brain-stem ineluctably dying, releasing, at its margins, dim and flaccid hallucinations.”
The writing is so dense that the novel seems to be thrice as long and it is so thick with allusions and reminiscences that one may easily get lost there.
The stale air is fraught with whispers, susurrations, tintinnabulations and the voices of the dead… Reality is bleak and blurred…
“Trees lost their leaves. Black clouds revolved like a diorama, unwound to plunge headlong into the silver smokestack. ‘Here’ could not shift: it was incorruptible. We slid sideways, backwards, ahead – futile as wasps animated by the false sun of autumn.”
To find the Heart of Darkness you needn’t to travel far the Heart of Darkness is right here.
“History doesn’t come cheap.”
So we always pay for the past, the present and the future.
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Read information about the authorIain Sinclair is a British writer and film maker. Much of his work is rooted in London, most recently within the influences of psychogeography.
Sinclair's education includes studies at Trinity College, Dublin, where he edited Icarus, the Courtauld Institute of Art (University of London), and the London School of Film Technique (now the London Film School).
His early work was mostly poetry, much of it published by his own small press, Albion Village Press. He was (and remains) closely connected with the British avantgarde poetry scene of the 1960s and 1970s – authors such as J.H. Prynne, Douglas Oliver, Peter Ackroyd and Brian Catling are often quoted in his work and even turn up in fictionalized form as characters; later on, taking over from John Muckle, Sinclair edited the Paladin Poetry Series and, in 1996, the Picador anthology Conductors of Chaos.
His early books Lud Heat (1975) and Suicide Bridge (1979) were a mixture of essay, fiction and poetry; they were followed by White Chappell, Scarlet Tracings (1987), a novel juxtaposing the tale of a disreputable band of bookdealers on the hunt for a priceless copy of Arthur Conan Doyle's A Study in Scarlet and the Jack the Ripper murders (here attributed to the physician William Gull).
Sinclair was for some time perhaps best known for the novel Downriver (1991), which won the James Tait Black Memorial Prize and the 1992 Encore Award. It envisages the UK under the rule of the Widow, a grotesque version of Margaret Thatcher as viewed by her harshest critics, who supposedly establishes a one party state in a fifth term. The volume of essays Lights Out for the Territory gained Sinclair a wider readership by treating the material of his novels in non-fiction form. His essay 'Sorry Meniscus' (1999) ridicules the Millennium Dome. In 1997, he collaborated with Chris Petit, sculptor Steve Dilworth, and others to make The Falconer, a 56 minute semi-fictional 'documentary' film set in London and the Outer Hebrides about the British underground filmmaker Peter Whitehead. It also features Stewart Home, Kathy Acker and Howard Marks.
One of his most recent works and part of a series focused around London is the non-fiction London Orbital; the hard cover edition was published in 2002, along with a documentary film of the same name and subject. It describes a series of trips he took tracing the M25, London's outer-ring motorway, on foot. Sinclair followed this with Edge of the Orison, a psychogeographical reconstruction of the poet John Clare's walk from Dr Matthew Allen's private lunatic asylum, at Fairmead House, High Beach, in the centre of Epping Forest in Essex, to his home in Helpston, near Peterborough. Sinclair also writes about Claybury Asylum, another psychiatric hospital in Essex, in Rodinsky's Room, a collaboration with the artist Rachel Lichtenstein.
Much of Sinclair's recent work consists of an ambitious and elaborate literary recuperation of the so-called occultist psychogeography of London. Other psychogeographers who have worked on similar material include Will Self, Stewart Home and the London Psychogeographical Association. In 2008 he wrote the introduction to Wide Boys Never Work, the London Books reissue of Robert Westerby's classic London low-life novel. Hackney, That Rose-Red Empire: A Confidential Report followed in 2009.
In an interview with This Week in Science, William Gibson said that Sinclair was his favourite author.
Iain Sinclair lives in Haggerston, in the London Borough of Hackney, and has a flat in Hastings, East Sussex.
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